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This is an important technique to create melodious and emotional songs.

Definition


 Glissando is an Italian word to describe a tough technique which proceeded from Bel Canto.

 Glissando means to glide through a bunch of florid notes with velocity in only 1 breathe (different from staccato - the breathe is seperate or trillo - only 2 notes are repeated).

Later on, glissando become common in pop music, like a must-have ingredient for a singer to explode his or her emotion in a song. It is used for singing voices, glides on a specific pitch.

 A singer with a wide range and a flexible voice with well-trained skills tends to master glissando excellently.

Some Examples


  • In Mariah Carey’s "All in your mind", from 2:38 to 2:48, she have used glissando twice, the first time from fast to slowing down, and the second is faster and stressed the word “mine”.
  • At 3:38, she used glissando again with a steady speed.
  • In Whitney Houston’s In return, she used glissando at 3:50.

 In the song It’s only my world, at 3:35, Lee Heari (Davichi) lowered the vibrato speed and used glissando at E5 right after.

 In Somewhere over the rainbow, at 3:08, Patti Labelle slowed down her breathe on middle range, and used high-speed glissando at G#5.

 Christina Aguilera also show this skill (without vibrato) at 1:03 :

 In Sau tất cả, at 3:10, Hồ Ngọc Hà used glissando at E5.

 In Though I loved you, at 4:02, So Hyang used glissando at F#5 to make the peak sounds more dramatic.

 In Sette uomini d’oro, at 2:58, Mina used glissando with her head voice at B5.

2:58

In Adventures in paradise, at 2:48, Minnie Riperton used glissando during her whistle.

2:48

How To Glissando?


 This is a complete Youtube Video showing how to do it from MusicLesson.eu

How To Properly Use Glissando to Create a Perfect Performance?


 After listening to the above examples, you could have probably noticed that all the glissando were only used once or twice in a song, yet at the very precious parts, like an impetus of the big emotion bursts. The “precious parts” mentioned here are the peaks when the beat or the orchestra is rapid-fire or more powerful than the rest, so the singer uses glissando to harmonize with them and creates an emotional chorus.

 Singers tend to hold the note at first, then raise the speed and power of vibratos to create hurricanes of sounds with bursts of emotions. It was the speed of vibratos with fortissimo that made the singer able to create those hurricanes with their own voice, to dramatise the song, please the audiences instead of annoying them with sharp, heavy sounds. This skill brings great hearing effect and compliments the singer themselves.

  • Glissando requires the singer to have great vibrato skill, a tough breathe and great volume controllability. Without mastering those conditions, the singer can be off-tone or out of breath, strain, ruin the vibrato while doing a glissando.

Conclusion


 To do gorgeous glissandos, it doesn’t depend on just the skill, but also the singer’s sense of music. The singer should be able to feel each rhythm, melody and also the volume of the orchestra to choose and adjust the exact time for glissando, not too soon or too late, not too long or too short, to charm the listeners. The wrong or senseless use of glissando will make the song heavy, show-off and shallow.

 If you are a singer and on your way of training, don’t forget to use glissando in some parts that you consider needed to burst the emotions.

Phuong
Phuong
Mình là Thảo Phương, một cô gái với âm nhạc là nguồn sống ^^. Mình đã từng được vào vòng đối đầu của The Voice và hiện giờ vẫn đang trên con đường làm ca sĩ :).

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